| July 1, 2009 Wading Through the Morass I cant recall a time in our worlds history when
            the news media -- as a collective, commercial entity -- has been in straits more dire than
            it is today. Newspapers left and right are declaring bankruptcy; there are allegations of
            bias in print and on TV by the right and left; the blogosphere has gained
            prominence, making celebrities of some bloggers, villains of others; some Internet-only
            publications are now considered more "mainstream" than some of the remaining
            print media; and, of course, folks are Twittering and Tweeting all over the place. The
            dissemination and consumption of information is at an all-time high -- every day seems to
            bring some new method of distribution -- yet there is little, if any, consensus on which
            are the most reliable places to get the most factually accurate news. The audio press is a microcosm of the larger media world,
            and the SoundStage! Network has been part of that microcosm since 1995. The subjects we
            discuss each month in our family of websites are not matters of life and death, and we
            dont have at our disposal the deep resources of such traditional publications as Time
            and Newsweek. Nonetheless, the same issues that plague traditional and
            nontraditional news outlets are hounding the audio press as never before. Bias,
            dishonesty, incompetence, irrelevance -- all are represented in our industry. The worst
            part is that its up to you, the reader, to wade through it all. To combat these problems, media companies should have
            certain checks in place. First and foremost is the gatekeeper -- the editor -- who should
            be knowledgeable, levelheaded, and able to filter content so that only accurate reporting
            is published. Good publications have multiple levels of editors, all of whom are skilled
            at keeping the writers messages intact while ensuring accuracy and clear language. But when those responsibilities are abdicated, the results
            will be all over the map. Two examples: "I have to say that
            the . . . loudspeaker system is the best that there is, the best that
            there ever was, and I suspect the best that there will ever be." "The . . . are the flattest
            speakers yet designed from about 25Hz to beyond human hearing." The above two quotations appeared in actual reviews
            published in an audio e-zine. Id rather not link to those reviews in my article
            because, once youve clicked over to them, youll likely be too amused or too
            outraged to click back to this article. Truth can be stranger than fiction.  Where was the editorial oversight? One product was
            "the best that there ever was," the other "the flattest speakers yet
            designed." If such statements are jokes, I dont get them. If, however,
            theyre serious attempts to inform readers about real products, then something has
            gone terribly awry. Even those whove never read a single audio review in their lives
            can see the lack of common sense in these statements -- to say nothing of the lack of accuracy.  Jeff Fritz in his listening room. Take note of the
            measuring microphone near the listening position.
 Ultimately, however, such quotations speak for themselves.
            I wont go into a long, self-aggrandizing dissertation here on the quality of our own
            writers, the editorial systems weve put in place to improve accuracy and provide
            editorial oversight, or the nature of the overall corporate culture of the SoundStage!
            Network. Nor will I claim that weve been perfect. What I will state, with absolute
            confidence, is that our publications are designed to provide accurate information, just as
            a properly engineered loudspeaker is designed to achieve a level of fidelity -- to the
            truth. The SoundStage! Networks corporate structure and the commitment of its staff
            are firmly in place to ensure that you can count on what you read here. In a time of dramatic upheaval in the world of media, and
            within the microcosm that is the audio press, we at the SoundStage! Network need to
            redouble our efforts to aspire to accurate reportage. I cant say that well be
            perfect, but well sure try. I hope that the results meet your need for solid,
            dependably accurate information about the hobby we all share. . . . Jeff Fritzjeff@ultraaudio.com
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