|  Trip to Goodwins to
            hear Rockport and Magico June 30, 2009 Editor, I had my trip to Goodwins in Waltham last week to
            hear both the Rockport Altairs and the Magico M6s. The article that you wrote
            in March was spot on about the listening room at Goodwins. The support that I
            received both from Allan Goodwin, as well as Al Moulton, was superb. You are also correct
            that both the Altair and the M6 are superb speakers. I listened to both driven by the ARC
            Ref 3, the Boulder 1050 monoblocks and the Spectral SDR-4000S CD player. I also listened
            to vinyl and their music server connected to the Berkeley DAC. I spent two wonderful days
            there. I wanted to ask you a question since you have lived with
            the Altairs (I am trying to decide between the Altair and the Magico M5, which
            Goodwins does not have yet but are expecting in late July, I believe). One of things
            that struck me about the Altairs (besides the amazing soundstage, unbelievable midrange,
            great bass foundation, driver coherence and utterly relaxed sound) was, (in comparison to
            the M6) a somewhat subdued or laid-back top end. I was wondering if you hear this as well
            and that is the way the speaker is designed or could it be a factor of upstream
            components? Arnie Sanders When I
            wrote about Rockports Mira back in 2007 I stated, "The only area where I
            feel that personal taste would come into play is the speakers high-frequency
            performance. The Mira was excellent at capturing fine detail, presenting all the
            information on recordings in a concise fashion. It was not hyper-detailed, however. If
            hearing excessive air around instruments is important to you, the Mira may leave you
            wanting just a bit. This aspect of its sound gave it a somewhat warmish character that I
            found pleasant. But I could see where someone who is used to a bit of etch in the highs
            would find the Mira a touch subdued." The Altair is indeed more revealing in the
            treble than the Mira, owed to its more advanced tweeter. However, the slightly warmish
            balance is still there. After living with three sets of Rockports in my room I have come
            to the conclusion that the deep, full bass response along with a super-textured midrange
            results in the treble not standing out in any way -- it is just an equal part of a well
            balanced, neutral frequency response. That balance is something that is a great strength
            of the Rockport loudspeakers. Having said that, you may still prefer the upper-end air
            that is a trademark of some other designs, including the excellent Magico M6. It is a
            remarkable speaker as well. Good luck in your quest! . . . Jeff Fritz  
 Moving up the Esoteric product line June 26, 2009 Editor,  I greatly enjoy your reviews! Now if I only had your
            system! A quick question if I may. I have an Esoteric DV-50S running through a BAT VK-51SE
            and Levinson 436 monoblocks to B&W 800 Nautilus speakers. I have a chance to upgrade
            from the DV-50S to the X-03. Would you expect that I would get a good jump even though my
            equipment isnt quite up to the level that yours was when you reviewed the UX-3,
            which I understand is identical in the audio section to the X-03? Best regards,  Bill I made almost exactly the same upgrade, and I think it
            is quite worthwhile. The VRDS-NEO transport mechanism is perhaps the biggest reason for
            moving up the chain to the X-03. It sounds better, is more robust in construction, and is
            more a pleasure to use in everyday operation. When I compared the DV-50 to the UX-3, I
            said: "The UX-3 sounds weightier and more robust in the vocals. It is quicker and
            punchier in the midbass, and also casts an ever so slightly more accurate soundstage.
            These improvements were apparent with most every type of music I played. The DV-50 might
            be termed a bit more polite, but in my system the level of dynamic energy and weight that
            the UX-3 produced was all positive, all the time. The price of a used DV-50 or new DV-50S
            might make it more attractive to you, and I dont think youd be disappointed
            with either anchoring your system, but in absolute terms there is no real comparison in
            sound quality: the UX-3 wins hands down." I think that about sums up my opinion. Go
            for the upgrade! . . . Jeff Fritz  
 TWBAS missing one thing? June 15, 2009 Editor, TWBAS 2009 was outstanding. I found the articles to be very
            informative. It's about time that an audio publication did something like this. However,
            there is one element that I think should be included in a world-class audio system: a
            time-delay system. I've found that time-delay systems properly done can add more realism
            to the reproduced sound. Many concert halls use time-delay systems to optimize the hall
            for different types of music. Many delay systems use hypercardioid microphones (two to
            four for home use) to pick up the direct stage sound and then feed it to a time-delay
            unit, which then feeds an array of loudspeakers which play back at a very low level (to
            simulate reflective surfaces). The goal of a world-class sound system is to give the
            illusion that you are at a live performance. Here is my test for knowing if you have a
            truly great playback system: Are you exploring new artists and/or types of music that
            you've never heard before? Or have you ever rented a movie just to hear what the
            soundtrack was like? If not, either your system and/or room acoustics need revision. Keep
            up the great work! Sincerely yours, Paul Blaha 
 Vitus Audio with Wilson Sophia 2s  June 9, 2009 Editor, I read your review of
            the Vitus SS-101 and was just wondering if I can pop a couple of quick questions. I am
            contemplating getting one of these babies, but the dealer wont let me try it out. I am using Wilson Audio Sophia 2 speakers at the moment,
            and I recalled you auditioned the Vitus with Wilson W/P 8s. So I guess that is as close as
            it gets. Do you think it will be good match to my Sophia 2? I have a small room
            (about 4m x 6m) so should I just get the SS-010 instead? I am using an Accuphase A60 at the moment and am looking
            for something with a bit more control on the bottom end and more airy sound. Also, do you
            think I should get rid of my preamp as well? I have an ARC LS26 at the moment, and I know
            the Vitus can be used as an integrated and power amp. I run an Esoteric X-01 as the
            source. Thanks heaps in advance. Cheers, Dave from Australia Either of the Vitus amps will match-up well with your
            Wilson Sophia 2s. Of course, if your budget allows, I would suggest going with the SS-101,
            if for no other reason than the power reserves it possesses. But the larger power supply
            and greater current delivery might also make for better control of the low frequencies,
            which you state as a goal of the upgrade. I have no doubt the SS-010 could drive your
            speakers -- the Vitus amps seem significantly underrated in terms of power output -- but
            the larger SS-101 is really a surefire recommendation. Regarding omitting your preamp,
            Id say give it a try. Thats really a toss-up: some people prefer having a
            dedicated preamp in the chain while others appreciate the transparency that the omission
            can bring to the table. . . . Jeff Fritz  
 Rockport Ankaas as rear channels? June 3, 2009 To Randall Smith, I read that you are about to publish a review of the
            Rockport Ankaas. I just want to tell you that I am waiting in anticipation, since I am
            considering buying a pair to use as rear speakers together with  Rockport Altairs as front speakers. I haven't heard the
            Ankaas yet, but I believe that will be a killer surround setup. When will your review be
            published? Also, would you care to tell me a few words about your impression of the
            Ankaas? Best regards, Sture Youll be happy to know that my review was published on June 1.
            The Rockport Ankaa is an incredible speaker, and probably one of the best values in the
            Rockport line. Im not sure I can add much more to what I wrote, but to sum up: It is
            truly a full-range speaker with deep and articulate bass that played much lower in my room
            than the 30Hz spec on the Rockport website would suggest. The speaker is also very neutral
            and revealing from the midrange up, which is a quality you should be quite familiar with
            since the Altairs have similar drivers. I cannot imagine that anyone would be unhappy with
            the Ankaa. The Ankaa should be an excellent tonal match to your front speakers and will
            likely create a seamless surround experience. Good luck to you! . . . Randall Smith   |