June 2006
Of the two, Donald Fagen has had the more artistically and commercially successful solo career. His new disc, Morph the Cat, doesnt have the immediate appeal of his previous two, The Nightfly (1982) and Kamakiriad (1993), but repeated listening reveals emotional depth and musical subtlety, and the songs soon lodge themselves in your mind. At 58, Fagen seems to be thinking about mortality. He speaks to Ray Charles ghost on "What I Do" and has some imaginary encounters with death in "Brite Nightgown." A dark undercurrent runs through Morph the Cat, and it captures the unsettling feelings of life in a post-September 11 world. Fagen doesnt despair, however. Morph the Cat is filled with witty, sometimes inscrutable wordplay and, most of all, with a deep well of funkiness. The band is, as expected, sharp and elegant, with special honors going to drummer Keith Carlock, bassist Freddie Washington, and guitarist John Herington. Beautifully recorded, with songs that grow and deepen with each listen, Morph the Cat leaves you hoping Fagen wont wait another 13 years to make a solo record. GO BACK TO: |